Rolling stone magazine why is it called

Country Joe Mcdonald has split from his band, The Fish, leaving them high and dry without a lead singer, an arranger or composer of most of their original material. Both Joe and The Fish will go on as single acts.

The Fish will not change personnel, only their name to the Incredible Fish. The Who are back in town looking shattered, but thinking straight, after their long, hard American tour. Newswire Powered by. Roots of ''Rolling Stone'' Magazine Historical Essay by Jessica Hyman, One of the most successful underground publications that resulted from s and s counterculture was Rolling Stone magazine. Founded by Jann Wenner and Ralph J.

Gleason in , Rolling Stone quickly gained popularity amongst readers and advertisers. Despite being founded in the counterculture center of the United States, the magazine failed to embrace many of the norms of that community, which is precisely what allowed it to become so successful.

Its superficial political coverage, critical music reviews, and experienced writers and editors propelled the magazine to the level of success unknown by other underground publications. Jann Wenner with the cover concept for the first print of Rolling Stone Photo: Andy Greene This sentiment is seen in the evolution of advertisements in the magazine.

Notes 1. Draper, Robert. Rolling Stone Magazine: the Uncensored History. Doubleday, , p Wenner, Jan. In the young British musician Brian Jones was forming a new blues band, and on a phone call with a club owner he was asked the name of his group. As he by his own account cast about in panic, his eye alit on an album by his beloved Muddy Waters and the above song title.

But what exactly is this rolling stone? Meanwhile, the term had begun to denote something quite different as well. Over time, the moral sense of the proverb edged into ambiguity. By the 19th century, writers were suggesting that a rover might be better off for abandoning the accoutrements of a settled existence. In Porter, by then famous as a short-story writer under the name O. I imagined it in a stack, or else in a briefcase, handed to me on a park bench.

When Wenner learned the terms of the deal, he backed out. Suffice it to say that the problem lay in whether he would be portrayed as he saw himself, or as he was seen by others. I was relieved. The thought of spending years tangled in the details of his life, his neuroses, was almost more than I could bear.

The money had fogged my mind for a moment. Coming across the photo now, I think, Look at that fool! He believes himself to be a millionaire. The job was done by Joe Hagan of New York magazine, who had the luck to be living next to Wenner in the Hudson Valley when Wenner went looking once again. Hagan called me not long after Wenner made his pitch.

I had become a cautionary tale. Could the book be written, he asked, and was it worth doing? It would be tough, I told him, but what a subject, if handled correctly. Jann Wenner, after all, is more than a magazine editor. Hagan has written a barn burner, fast and funny and gossip-filled he names names and also big—so big that it can stand as a case study of the entire era.

I know too little and sympathize too much. I like Wenner, and Hagan is remorseless. It invokes a classic Stones album, but is also a term linked to masturbators and thieves. The irony is hard to miss. In his need to establish his legacy, Wenner created precisely the outcome he was trying to avoid—a truly free, deeply critical, microscopically detailed examination of every fuckup and flaw, as well as the many feats, of his existence.

Like me, Hagan has been a contributing editor to the magazine. Check out the full table of contents and find your next story to read. Also a New Yorker, she grew up in Stuyvesant Town. And it was Jane who, with her cool affect, won the trust of rockers, photographers, and writers who would prove crucial to its takeoff. First, he understood that rock and roll was a culture as much as an art form.