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The concert at The Drop in London sold out within 48 hours of announcement by the group. Their concerts have been compared to punk rock shows, with stagediving, moshing, and group members antagonizing the crowd.

Tyler, the Creator also signed a one album deal with XL Recordings and released his sophomore effort, Goblin , on May 10, They have collected a cult following, and have received press attention from blogs and magazines. Though they are often labeled as horrorcore, the group has universally dismissed it on Twitter, in interviews, and on tracks such as "Sandwitches". Pitchfork Media has labeled the group as indie rap.

On September 8, , it was announced that Odd Future would be making a television show called Loiter Squad. Ima Swag It Out. In , he was named the poet laureate, and he is a frequent presence at South African literary conferences and festivals. There is a gruesome, hallucinatory catalogue of racially charged horrors and insults, most of them phrased as accusations:. In the final stanza, the recrimination builds to a furious italicized expression of poetic abnegation:.

Something about this image—the poet, awaiting the end of poetry and the start of revolution—captured the imagination of a group of like-minded oral poets in Harlem, who called themselves the Last Poets, in tribute to Kgositsile. Starting in , the Last Poets released a string of fiery spoken-word albums that prefigured the rise of hip-hop. Of course, some people might say that hip-hop betrayed the promise of Kgositsile and the Last Poets, instead of fulfilling it.

During the apartheid years, Kgositsile lived in exile and travelled widely. While visiting Chicago in the nineteen-eighties, he spent time with a poet named Sterling Plumpp, who introduced him to an African-American woman who was active in political circles. By the early nineteen-nineties, Kgositsile was dividing his time between Johannesburg, where his old African National Congress comrades were finally taking power, and Los Angeles, where he shared a house with his wife and had an adjunct teaching appointment in the English Department at U.

He beholds a boy endowed with the fierce decency of Betty Carter, the jazz singer, who had died a few years earlier. But near the end, unexpectedly, comes a ringing admonition—the celebrant has said too much:. Hip-hop has proved to be a less volatile form than liberation poetry, and its general disinclination to be useful—to do something—helps account for both its longevity and its lousy reputation among many of the people who might otherwise be expected to love it.

On a Friday night, at the end of another long and intermittently productive week in Los Angeles, the other members of Odd Future crammed into a rental van to drive to Pomona, where they had booked a concert. The venue, called the Glass House, has a capacity of eight hundred, and the tickets had all disappeared within an hour of the announcement.

By the time the group got there, around six, there was a line of fans waiting for the door to open; they were mainly white and Latino, and almost all of them seemed to be younger than twenty-one. A security guard arrived and called a huddle so that he could issue some stern instructions. It was nearly nine, and Tyler had something important that he had to do soon, but nothing at all that he had to do immediately—a dangerous combination.

When Tyler finally bounded onstage, he sounded raspier than usual, but it scarcely mattered. When he got to the end of the first verse he pulled off the ski mask to reveal his face.

Then he jumped into the crowd—from the stage, of course, not the barrier. But then every important rapper of recent years, from 50 Cent and Kanye West to Lil Wayne and Gucci Mane, has been presented as an insurgent, ready to overthrow some version of the hip-hop establishment.

Another young woman—or maybe the same one—found her way backstage, and stumbled around until someone discovered that she was sixteen, at which point the managers rousted her. She peered into a low backstage balcony. Free Earl!

She describes young Thebe as a friendly and intellectually nimble boy, a great talker who might have been and might still become a standup comedian. Last summer, she realized that his online musical experiments were starting to generate real-world results, and she arranged for him to go to Samoa at least partly because she was worried about the uncertain effects of sudden stardom. The circumstances of this exchange surely influenced the tone or content of his replies, but the seventeen-year-old boy who is—or was—Earl Sweatshirt comes across as a thoughtful young man trying to figure out what, exactly, has happened to him.

When asked whether he was involuntarily confined, his answer was vehement. He said he knew that his friends had become celebrities in his absence:. Asked if he wants to send a message to his fans, he tried to be unequivocal:. The only thing I need as of right now is space. This applies for anyone affiliated with OF, fans and members alike.

When will he come back? Friendships have undoubtedly ended over more trivial issues, but Tyler and Earl were able to talk things out successfully. Earl told the Times in that he had to force things to be uncomfortable to finally have the necessary conversations.

All signs pointed to a full reconciliation. The two even planned on creating the fabled collaborative EarlWolf LP. Once used to outline his twisted fantasies, his skills were applied to periods of mirror gazing.

And the same disconnect could be said of their friendship. Your 20s are a period of rinse, wash, repeat transformation—a decade in which you can easily look back at the you from a couple years, a year, or even a few months prior and not recognize that person. The odds are stacked against you and a person you were friends with at 16 staying simpatico as you two simultaneously wrestle with your own identities. Earl was absent for the epic rise of Odd Future. On November 2, Earl released his first solo single since his return from Samoa, titled "Chum".

On November 12, he announced in a tweet that his second studio album will be titled, Doris. On December 4, Earl released the official music video for "Chum". Earl also confirmed the next single to be titled "Whoa" featuring Tyler, The Creator. The song was released to iTunes on March 12, , along with the music video being released, which was directed by Tyler. Production was primarily handled by Sweatshirt under the pseudonym randomblackdude and production duo Christian Rich.

In September , Complex named Sweatshirt the tenth best producer in hip hop. Upon its release, Doris was met with universal critical acclaim from music critics, including perfect scores by The Guardian and Los Angeles Times , which praised Sweatshirt's rhyme schemes and lyrics along with the gritty underground production. On October 10, , Earl confirmed that he had completed the album to follow-up Doris. On November 5, , he released a new song entitled "45" produced by The Alchemist.

On March 17, , Earl released a music video, for the song "Grief". The full album was released on March 23, , but only the digital version, the physical version was released later on April 14,